beyerdynamic DT-770 Pro 250 Ohm

A fejhallgatót otthoni zenehallgatásra, illetve hobbi szint? zenekészítéshez vásároltam. Korábban már volt alkalmam kipróbálni a 80 és a 250 ohm-os verziókat is. Mivel a hangkártyám fejhallgató er?sít?je lehet?vé teszi a magasabb impedanciás fejhallgatók csatlakoztatását, így nem volt kérdés, hogy a 250 ohm-os verziót veszem.
El?nyök:
Nagyon jó, kiegyenlített hangja van, ezen az áron magasan a legjobb, amit volt lehet?ségem meghallgatni. A kábel elegend?en hosszú, a fejpárna kényelmes, jár hozzá hordtáska.
Hátrányok:
Viszonylag nagy méret?, így hordozásra kevésbé alkalmas, de egy ilyen fejhallgatónál ez nem is lehet cél. Több helyen írták, hogy nagyon kényelmes, de nekem egy id? után kicsit szorítja a fejem. HD25-nél nincs ilyen problémám, igaz annak más a felhasználási területe. A kábel nem lecsatlakoztatható, bár ez nem biztos, hogy a hátrányok közé sorolható.
Érdekesség, hogy a mai napig Németországban gyártják, ami ebben az árkategóriában szinte egyedülálló.

Tetszik, amit egy HX Stompra dugva produkál, ha a Stomp kimenetét jól megküldöm a beállítások között (+10 dB), bőven túl hangosra is fel lehet tekerni a potival.
Elsőre soknak tűnt a magasa, de vagy bejáratódott, vagy megszoktam eddigre.
Presetgyártáshoz nekem elég részletes, utána csak ellenőrzöm monitoron, de nem kellett különösebben utána állítani.
Basszusgitárra is tetszik a Stompon.

These headphones offer me a lot of flexibility of use - both in recording and mixing. They're exquisitely well-made and have a great sound. For mixing and mastering purposes you'd do well to consider the 880s and 990s, as their semi-open and open nature suits the task better. However, for my current situation where I need a set of headphones to fit both roles, these do it to perfection.

I've been looking for a set of studio cans for a while, and have always heard amazing things about the 770s, 880s, and 990s. Initially I was having a hard time figuring out which one of those would be best for me. I wanted a pair of headphones that I could simultaneously record with (meaning, with minimal spill), and that I could mix and master with.

After a bit of EQ I got them to sound more natural and a bit more neutral. The 770s have a bit of a fame for strident highs. While I don't exactly agree that it is overbearing, the higher frequencies did indeed carry an extra power, which is something I don't have a particular taste for. After running some tests, I EQed them to taste by raising the lower frequencies by just a bit, as well as lowering the higher frequencies. Just a touch of gain adding and reduction here and there, and after that, they were good to go for me.

One word of warning for you is to really check the impedance for your needs. The 250 Ohm version is reported to have better clarity especially when it comes to dynamics transparency, and needs to be amped properly. For mobile day-to-day use, the 32 Ohm version would be your best bet, easier to amp to get you to where you want to be in terms of volume, at the very slight cost of detail. As for the 80 Ohm version, that one is usually selected for recording musicians (say drummers) who need a bit of extra volume for when recording louder instruments.

Either way, the claims of quality from everyone who recommended a pair Beyerdynamics are definitely well-founded.

I've used these headphones for 3 years now, for producing, mixing & mastering and live streaming performance, and it's a really great headphone. The sub frequency accuracy is the best on this headphone, no other comes close. I have an yamaha HS8 with sub as main monitors, and this DT 770-250ohm, gives me the full subwoofer sound that I need to hear. I also have the Beyerdynamic DT-990 open model, but the sub woofer is not as full bloom. The DT-770 closed model better represents the bassreflex port on a subwoofer to make better mix decisions. It's very useful to hear clearly, the difference between an sub suitable for cinema, and sub tweaking for different music styles. And my sub tweaking mix/masters with this DT-770 have always translated well to real subwoofers, car woofers & club subs. The open model DT-990 has an wider soundstage (it sounds like there's an added stereo width, compared to the DT-770, if I compare it A-B. I recommend the closed one for accurate mixing/mastering of the low end, keeping in mind that stereo width isn't as wide due to the closed design, but stereowidth can always be added in the mix/master stage & can be checked on the multi correlation meters. But the sub sound advantage of the DT-770, cannot be attained on the DT-990 no matter what you put on the mix/master busses. For me it's DT-770 over the DT-990 on any day.

Comfort is also great, many hours, minimum fatigue. Might have to get used to the weight, clamp pressure, and curly cable weight & handling. But in a weeks time it will be second nature. My longest session wearing it was 22 hours. I have used it for nearly 3 years now, almost every day 7 days a week, 3 to 12hrs a day.
The foam pads/cushions are still good, good isolation even after all this time. Isolation for vocal booth/livestreaming/podcast is also great on these. I think about 80% of youtube/twitch streamers use the DT-770. It's very popular.

So yeah the Pro's: Mix/master translates well, great subwoofer clarity to make confident mix/master decisions on for the low end. Music mixed on these translates well to other systems. Also great for critical listening, referencing music & sound design. Accuracy & translation is great on these, but note the stereowidth, bit narrow sound width due to the closed design.

There's only one Con, the curly cable, if you sit stationary in your mix position you're fine. But if you move a lot to access different gear, any head movement more than 30cm, will reposition the cable & it's weight strain. Do that all day, & you'll get tired & annoyed by that cable. So sit still haha and try to have the cable rest on something like your desktop/table when mixing/mastering. Letting the cable hang full weight on the headphone will cause fatigue during long sessions, but is inevitable in the vocal booth where one usually stands upright.

In conclusion, I love this headphone for everything. Mixing/mastering [closed design isolates well, won't hear street noises & children playing, I can always focus on my mix/master]; monitoring instruments, sound design, critical listening, watching movies, and playing games. Also great for enjoying ASMR, or voice/video-calls, just make sure you have an good headphone preamp to drive the 250ohm to get enough gain/volume.
I use the RME Babyface Pro Fs, more than enough gain. But on my samsung phone max volume is about 70%-80% of what I would prefer as ideal. It's okay, not bad, but I'd recommend an headphone preamp if you want to drive the 250ohm version just from phone.

I'm married to these headphones, always reliable & true sound, never deceives me haha Cheers