Behringer B-Tron III Envelope Filter

Envelope filters are kind of a niche in the pedal market, and as such they tend to be on the pricier side. This pedal sounds really good at a price bracket in which there's few other options. That alone is worth the price of admission. I have played the mooer envelope filter, and it's good but noy as good as this in my opinion. I've also played digital envelope filters from Helix (Hx Stomp), Boss (Katana mkii) and Valeton (GP-200). Of those (and this includes the mooer) I'd say the best one is the Helix. The B-Tron is better than that.

How do I define "better"? The responsivness to your touch dynamics, how it opens up and closes and the clarity of the sweep for that unmistakable 70's sound. It's a joy to use once dialed in.

Now on to the cons:

Sound is the only aspect in which this pedal truly shines. Learning to dial it in is a total pain. I have since learnt that this is mostly true of all envelope filters, and that they're finicky effects in general, so don't judge the B-tron too harshly for it, but be forewarned. It takes time to find "the sound" and it's very guitar dependant. It also pretty much needs to be first in your signal chain.

The build quality is just fine. Sturdy metal chassis, yes, but knobs which feel flimsy and prone to breakage. Mine hasn't broken yet, after living for months on my pedalboard, going to rehersals and such. But I try to treat it delicately.

Extremely loud button press. It's a very audible pop whenever I step on it. I am considering looking into whether I can mod the switch to get rid of that.

Finally, size. It's just ridiculous. Behringer obviously wanted to recreate the look and feel of the original Mutron, and admittedly the pedal looks beautiful. However it's too large to justify, and it won't fit on a busy pedalboard. I can get away with it because I only use 7 pedals.

To sum up, if you can live with these cons, it does sound great. If these are a deal breaker, look at something more expensive, or compromise on sound quality with the mooer or some other inexpensive option. Or go digital

Welcome to YANKSIT everybody, A bit of a duck really what can I say its quiet and cheap for now, which is nice because any of the original pedals like these are noisy and expensive as hell and living there as well lately. So if you want the funky duck sound this will give you several of them and some other really weird combinations . Not as colourful as the Mandarin duck, I saw at the Canal earlier this year but definitely as funky . Oh yeah it can make a really nasty fuzzy sound as well, when the drive is fully ducked up.

im a huge fan of these types of pedals. the MXR filter is unbeatable, the q-tron is a legend. this wants to be a q-tron, but just... isn't. Ive spent a few weeks now playing with it and trying to get something vaguely inspiring out of it, but it just doesn't do anything. it quaks a little bit. it makes a few squeaks here and there.

it tries its best to blow my speakers when i use the pedal on/off switch with an unholy jebus thump. on bass its so useless it might as well be a paper weight. with guitar its definitely there, but its so lacking in any way, shape or form of something useable or characteristic... its a bit like Temu-Tron.

and i wanted to like it. ireally did. it looks so cool. it seems well made. its bigger than it should be, its cheap enough to try and find out. but its just kinda... meh

Ein Pedal mit vielen Einstellmöglichkeiten. Die Passfilter sind selbsterklärend und passend zum Instrument (Bass, Gitarre oder Keyboard) zu wählen. "Range" erweitert zusätzlich den gewählten Frequenz-Bereich. Der "Drive"-Schalter reagiert sehr trickreich mit dem Instrument. So zeigt sich eine sehr hohe Ansprech-Empfindlichkeit in Down-Position mit dem Neck-Pickup meiner "Tele". Bei Nutzung des Bridge-Pickup allein, kommt es abhängig von der Dynamik im Anschlag, jedoch zu deutlichen Frequenzaussetzern (kann man mögen, muss es aber nicht!). In Up-Position zeigt sich dieser Effekt nicht, sowohl in Bandpass als auch in Hochpass-Position. Der Lowpass-Mode ist mit einer Telecaster ohnehin nur bedingt zu empfehlen."Peak" zeigt ein weites durchaus brauchbares Spektrum mit ausgewogener Position bei etwa 12Uhr. "Gain" bestimmt insgesamt die Empfindlichkeit. Überhaupt bestimmt die Dynamik im Spiel, der voreingestellte Pegel, und natürlich das gewählte Instrument den Effekt. Das Gerät wird mit "Power" scharfgestellt, mit Einfluss auf den Volumenpegel über "Gain". Der Effekt wird mit dem Taster aktiviert. Das alles befindet sich in einem sehr robusten Gehäuse. Batteriebetrieb ist auch möglich. Dazu sind allerdings 5 Schrauben zu lösen. Kein Rauschen. Die Potis sind nicht zu leichtgängig. Die Kippschalter wirken allerdings etwas billig. Der Fussschalter rastet deutlich hörbar.
Insgesamt eine Kaufempfehlung für alle, die diese Art von Effekt lieben.
Hier findet jeder seinen passenden "Funky" Sound.