Tovább az oldal tartalmához

Condenser boundary microphone

  • Combination of Beta 91 and SM 91
  • Switchable frequency range for bass drums or piano/ voice applications
  • Polar pattern: half cardioid
  • Frequency range: 20 - 20,000 Hz
  • Impedance: 146 Ω
  • 11-52 V Phantom power
  • SPL: 155 dB SPL max (@ 2500 Ohm)
  • Sensitivity: -48.5 dBV/Pa
  • Output: XLR-male
  • Weight: 470 g
  • katalógusunkba bekerült: November 2010
  • Termékszám 256092
  • mennyiségi egység 1 darab
  • Polar Pattern Half Cardioid
  • Installation No
  • Condenser Microphone Yes
107 900 Ft
Minden ár tartalmazza az ÁFÁ-t
Azonnal szállítható
1

460 Ügyfelek értékelései

4.9 / 5

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DR
Delightful, Versatile Microphone
D Rea 05.08.2020
Absolutely wonderful microphone. I don't go anywhere for work without this (live & studio). Predominantly, I use this mic for kicks and pianos, but also found uses for certain theatre/stage applications. The tight Half Cardioid design makes it ideal for these scenarios.

The cut around 400Hz has come in quite handy on a few occasions with problematic kicks or stage where conditions are not ideal. Pairing this mic in particular with the Beta52 means achieving a particularly accurate picture of a kick. Even without the 52, you'll still achieve a super clean, punchy tone. Predominantly I'll use it internally for Kicks and Grands and have to do very little to achieve top quality results.

There is a very good reason why touring engineers request this mic so often when sending on tech riders to venues.

Very sturdily made but of course with any mic, treat it like it was one of your own children and take care of it.
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c
Industry standard for kick drum attack and clarity
cmsd 11.04.2026
The Beta 91A is a go-to microphone for capturing kick drum attack with precision. I’ve been using it inside the kick, and it delivers a very defined, clicky attack that sits perfectly in modern mixes.
The low-end is tight rather than overly boomy, which makes it ideal to pair with another mic (like a dynamic outside the kick) for a full, balanced sound. The built-in contour switch is very useful — the scoop setting gives you that modern punch straight away.

The boundary design is extremely practical: just place it inside the kick, no stand needed, and you're ready to go. It also handles very high SPL effortlessly without distortion.

Pros:
-Excellent attack and definition
-Very easy setup (no stand required)
-Handles high SPL without issues
Perfect for modern kick sounds

Cons:
-Not as “full” on its own (works best combined with another mic)
-Requires phantom power
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DS
GREAT for recording, OK for live use…
David S// 23.01.2023
Mostly easy to use and place inside the bass drum. It works great for recording or to use on the bigger live stages, where you may have in ear monitoring and the output speakers are at least 26 feet away.

However, on the smaller live stages where booth monitors and speakers are close to the drums, it is VERY HARD to use it without getting a feedback problem. This have happened so many times live that I’ve completely swished to Shure Beta 52 for live use.
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w
Worth every penny!
willdefear 15.02.2022
My most used live mic. Great both on it's own, or when paired with a beta52 or similar kick out mic, and less harsh and more natural sounding than an e901, in my opinion. I use it nearly every show where I provide mics, is definitely one of my better investments, and if I could only take one of my live mics out on a gig with me, it would be this!

The new 91A variant improves on an old design by having a full sized xlr connector and no longer requires an external preamp module like its predecessors. A massive win as it's now absolutely bomb proof and you're not scared to take it out your mic box in case the cable breaks again!!

Also the frequency curve switch kind of lets you choose between a beta91 sound and a flatter sm91 sound, kind of... It is similar, but not quite the same the same as the classic sm91!

If you're looking at this mic then you probably know what it's all about. So just buy one and thank me later! :)
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